Photographer Profile ~ Julius Shulman

Julius Shulman (October 10, 1910 – July 15, 2009) is considered to be the most important architectural photographer in history, best known for his iconic photographs of the Case Study Houses. Notably his CSH #22, The Stahl House designed by Pierre Koenig, was published many times as one of Shulman's best works. He was a pioneer of modern architecture photography, and helped mid century modern architects like Frank Lloyd Wright, Richard Neutra, and Pierre Koenig to get to wider audience.

For 70 years, Shulman steadily created one of the most comprehensive visual chronologies of modern architecture and the development of the Los Angeles region. The photographs in this post are selected from his portfolio of more than 70,000 images.

The clarity of his work demanded that architectural photography had to be considered as an independent art form. Each Shulman image unites perception and understanding for the buildings and their place in the landscape. The precise compositions reveal not just the architectural ideas behind a building's surface, but also the visions and hopes of an entire age. A sense of humanity is always present in his work, even when the human figure is absent from the actual photographs.

Today, a great many of the buildings documented by Shulman have disappeared or been crudely converted, but the thirst for his pioneering images is stronger than ever. [via wiki and other sources]

Julius Shulman's iconic image: Designed by Pierre Koenig in 1959 for Buck Stahl as part of the Case Study Houses sponsored by Arts & Architecture Magazine, the Stahl house achieved its fame, in part, due to Shulman’s iconic image. The glass house appears to levitate over the Los Angeles skyline. Shot at f32 on his 4x5 camera, he used two flash heads for the interior and kept the shutter open for 5 minutes to expose for the city lights.

Shulman setting up for the now iconic shot (with a very long sync cord)

 Shulman uses branches and plants to help frame the shot.

 Julius Shulman and architect Richard Neutra at the Tremaine House

Tremaine House
German born photographer Jürgen Nogai and Julius Shulman began a rewarding collaboration in 2000 which lasted almost a decade until Shulman's death in 2009. This is one of my favourite images and homes photographed by the duo. 

Winner of several awards including Best Documentary at the Palm Springs International Film Festival and the Grand Jury Prize for Best Documentary at the Lone Star Festival,‘Visual Acoustics – The Modernism of Julius Schulman’ is an elegant, considered and unreservedly lavish expose of the most prolific architectural photographer of our time.

This interview, conducted at the age of 98, and one of his last, shows the tremendous enthusiasm for photography and enduring spirit he had right up to the end of his amazing life.

Photographer Profile ~ Garry Winogrand

In 1948 a fellow student and photographer for Columbia University's student paper showed Garry Winogrand the darkroom, which was open twenty-four hours in the basement of the architecture building. Two weeks later, Winogrand abandoned painting for photography and "never looked back." Described as "an undisciplined mixture of energy, ego, curiosity, ignorance, and street-smart naiveté," the Bronx native photographed incessantly, mostly on the streets, working as a freelance photographer for a picture agency and eventually publishing journalistic images in numerous magazines throughout the fifties. 

Around 1960, after being shown a copy of Walker Evans's book American Photographs, Winogrand began to take a more artistic approach in his work. The first half of the decade, however, was a difficult time, including political disillusionment and the breakup of his first marriage. He persevered in his career and eventually published four books of photographs, including The Animals in 1969, images made in zoos, and Women Are Beautiful in 1975, candid shots of anonymous women on the street. Winogrand used a small-format, 35mm camera that enabled him to photograph quickly and freely, which he did to the extreme: at the time of his death in 1984, he left more than 2,500 undeveloped rolls of film.

(via Getty Museum)

Diane Arbus

Garry Winogrand's Leica M4

Women are beautiful