Showing posts with label Henri Cartier-Bresson. Show all posts
Showing posts with label Henri Cartier-Bresson. Show all posts

Wednesday, July 13, 2011

Henri Cartier-Bresson Image Voted Off Flickr.

Back in 2006, Flickr user AndrĂ© Rabelo submitted the above photograph to the group pool of DeleteMe!, a group whose members vote on photos to weed out any photos that aren’t “incredible pictures, amazing, astonishing, perfect”. Sadly, the photograph was very quickly removed by popular vote. I was stunned to read about this a few days ago. Goes to show that appealing to the lowest common denominator is not the way to stand out in photography or any art form. Trust your vision. If popularity was the barometer of quality then McDonald's would be a five star restaurant and romantic comedies would win all the Oscars.
True art stands the tests of time my friends.

Here are some of the moronic critiques of the above photograph.

"When everything is blurred you cannot convey the motion of the bicyclist. On the other hand, if the bicyclist is not the subject-- what was? 


"This looks contrived, which is not a bad thing. If this is a planned shot, it just didn't come out right. If you can round up Mario, I would do it again. This time put the camera on a tripod and use the smallest aperture possible to get the best DoF [depth of field]. What I would hope for is that the railings are sharp and that Mario on the bike shows a blur. Must have the foreground sharp, though. Without that, the image will never fly."


"It's just very awful"


"so blurry.... to better show a sense of movement SOMETHING has to be in sharp focus!"

Yup, Man Ray said it best  "All critics should be assassinated." This is precisely why I stay off forums and sites like Flickr (although I have an account). Too many morons acting like experts when they have no clue at all what they are talking about.

The above image “Hyeres, France, 1932″  was sold at auction in 2008 for a staggering $265,000. So suck it Flickr Philistines!

rant over.

Cheers!
 








Friday, June 24, 2011

Photographer Profile ~ Arnold Newman.

Arnold Newman is one of the most renowned portrait photographers of the 20th century. His photos of artists and musicians, presidents and prime ministers, are instantly recognizable as his work.


Newman was born in New York City in 1918 and studied painting and drawing. With a strong interest in the arts, he accepted a scholarship to study at the University of Miami. His teacher at the university, a conservative artist, pointed him in the direction of modernism, and encouraged him to visit the Museum of Modern Art in New York. When he switched from painting to photography in 1938, it was first for financial reasons during the Depression, but then he came to love the field

Arnold Newman is often credited with being the first photographer to use so-called 'environmental portraiture', in which the photographer places the subject in a carefully controlled setting to capture the essence of the individual's life and work. Newman normally captured his subjects in their most familiar surroundings with representative visual elements showing their professions and personalities. A musician for instance might be photographed in their recording studio or on stage, a Senator or other politician in their office or a representative building. Using a large-format camera and tripod, he worked to record every detail of a scene.

"I didn't just want to make a photograph with some things in the background," Newman told American Photo magazine in an interview. "The surroundings had to add to the composition and the understanding of the person. No matter who the subject was, it had to be an interesting photograph. Just to simply do a portrait of a famous person doesn't mean a thing."

Newman's best-known images were in black and white, although he often photographed in color. His black and white portrait of Igor Stravinsky seated at a grand piano became his signature image, even though it was rejected by the magazine that gave the assignment to Newman. He was one of the few photographers allowed to make a portrait of the famously camera-shy Henri Cartier-Bresson.

Among Newman's best-known color images is an eerie portrait that shows convicted former Nazi slave labor boss Alfried Krupp in one of Krupp's factories.











Arnold Newman, Self Portrait, 1939


Dali

Newman at work

Picasso

Original 4x5 Image for above Portrait of Picasso

Igor Stravinsky, Russian Composer, Pianist and Conductor, 1946


Woody Allen



Portrait of German industrialist Alfried Krupp July 6, 1963 in Essen, Germany



JFK

 Helen Hayes

 VIOLINS, PHILADELPHIA, PA, 1941


Marcel Duchamp

Artist  Joan MirĂ³ 



"Visual ideas combined with technology combined with personal interpretation equals photography. Each must hold it's own; if it doesn't, the thing collapses."
~Arnold Newman




Marilyn Monroe

Man Ray

Jackson Pollock

Photographer Alfred Stieglitz and artist wife Georgia O'keeffe


Frank Lloyd Wright,  Architect, 1947


Isamu Noguchi, Japanese American artist and Furniture designer


Henri Cartier-Bresson
Ansel Adams, American Photographer, 1975

Jean Dubuffet, French Painter and Sculptor, 1956

“There are no rules and regulations for perfect composition. If there were we would be able to put all the information into a computer and would come out with a masterpiece. We know that's impossible. You have to compose by the seat of your pants"
 ~ Arnold Newman

1970 | Arnold Newman, Ritratto di Barnett Newman

Frank Stella, American Painter, 1967

Marc Chagall, Russian/French Painter, 1942

Marc Chagall, 1956

Roy Lichtenstein, American Pop Artist, 1976


Pablo Picasso, Cannes, 1956

Piet Mondrian, New York' 1942

Artist Francis Bancon, NYC,

Andy Warhol, The Factory, 1973
Max Ernst, New York, NY, 1942

George-Grosz-1942

Alexander Calder, Connecticut, 1957


JFK before he became president.

Watch this video. Great insight into the work and mind Newman
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